The art of listening

As I practiced yesterday, I was struck by how much of what I call 'practice' is really just figuring out what to listen for. The inner voices, the way one chord leans into the resolution of another. It's easy to just get drawn in by soprano line - the melody. Our ears have been trained to do so, through years of conditioning.

But what about the counter-melodies? What about the harmony? What about the bass line - that foundation upon which everything else rests and resonates?

There are very few instruments that can play multiple lines of music at once. Mine is one of them. And of course, with that immense gift comes the enormous responsibility of caring for each individual line. It is, indeed a blessing and a curse to be given both melody and harmony. Managing both simultaneously is a tall order for a mere ten fingers. Indeed, it takes years of practice to develop the ability to bring out different lines at different times - to find the balance between them.

We have a term for that attempt at balance: voicing.
My last teacher was determined that I would never, ever play a chord that was not properly voiced. And I still hear her voice in my head as I sit in the practice room each morning.

But voicing is the end result. The goal.

The first step is listening.
Finding each individual line. Studying its contour.
Singing it, internalizing it, letting it become a part of me.
Appreciating how it relates to and interacts with the lines around it.

I have to know each line independent of the others in order to understand how they relate to each other.
And there are no shortcuts for that.
Listening takes time. It takes intentionality. It takes openness.

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I am taking a history class right now - a historical research class, to be precise. And this week, we have begun our exploration of different 'subfields' of history - which are essentially different filters through which we interpret or even begin to form our narrative of past events.

We have been taught to use these subfields as a means of finding other voices. Of telling stories that have been ignored. Of questioning our preconceived ideas about 'facts.' Not in an attempt to deny the existence of the truth, but rather, in an attempt to find the whole truth.

What if the story you have been told is only part of a bigger story?

Or, to put it in musical terms: what if the part of the song you know is only the alto part?
Is the alto part a true, integral part of the whole? Of course it is. But have you listened to the tenor line? What does your alto line sound like in the context of the whole? Do you realize that there's a whole orchestra behind you? Could it be that the song is actually completely different than what you assumed it to be?

-----------

And so it is with people.

The daily interactions I have with students, colleagues, strangers, do not even begin to tell me the whole story. I hear one line, one phrase - and I am quick to jump to conclusions. I make assumptions about who these people are, about what they are thinking, about what their motivations are. But these little snippets of melodies cannot express the whole of the person.

So, I become a student of the score. I sing these individual lines in my head, let them resonate in me. I seek out other lines, and I find them in body language, in the breath, in the syntax of the sentence, in the gleam of the eyes. I listen for the unspoken message, the one that lies between the lines. I listen for the person. I listen for the Divine.

The Place I Want to Get Back To

is where

     in the pinewoods

          in the moments between 

               the darkness

and first light

     two deer

          came walking down the hill

               and when they saw me

they said to each other, okay,

     this one is okay,

          let's see who she is

               and why she is sitting

on the ground, like that,

     so quiet, as if

          asleep, or in a dream,

               but, anyway, harmless;

and so they came

     on their slender legs

          and gazed upon me

               not unlike the way

I go out to the dunes and look

     and look and look

          into the faces of the flowers;

               and then one of them leaned forward

and nuzzled my hand, and what can my life

     bring to me that could exceed

          that brief moment?

               For twenty years

I have gone every day to the same woods,

     not waiting, exactly, just lingering.

          Such gifts, bestowed,

               can't be repeated.

If you want to talk about this

     come to visit. I live in the house

          near the corner, which I have named

               Gratitude.

-Mary Oliver

Lo, he comes

A canceled end-of-the-day lesson leaves me with several hours in a row to do with as I please.

There are a host of things on my to-do list. The least of which is the hours of practice I still have yet to do in preparation for what may prove to be the most difficult final of my academic career.

Every part of me knows that I should practice. I have successfully avoided it all day, and tomorrow's Mary, as well as next Thursday's Mary will be annoyed with present Mary for not using the time she has.

But my soul is restless, in a way I can't help but attend to.

And as I allow myself a moment to sit, they come. 

The tears. 

The ones that have been brimming all day, all week.

From where, I don't exactly know.

Maybe they spring from anxiety, from exhaustion, from overwhelmedness. 

Will I make it?

Will I be enough?

Will I find any more reserves of strength within me?

Will I get it done?

Will this, too, pass?

Maybe they spring from soul-weariness, from grief, from disillusionment with the fight.

Will the wrong ever be made right?

Will the evil ever be broken?

Will the light ever overcome the darkness?

Will the truth win out?

Will this, too, pass?

Maybe they spring from joy, from wonder, from surprising, unspeakable beauty.

Will I give in to the joy?

Will I dare to hope?

Will I choose to feed my faith?

Will I continue to keep my eyes peeled for the glimpses of light?

Will I refuse to let the moments pass me by without choosing to be present to them?

As I write, I find myself mesmerized by the brilliant hues of the setting sun peering through the shadows of a tangled web of bare branches.
The contrast is stark.
The branches are cold and lifeless - the sun, warm and inviting. 

And isn't this the perfect picture of Advent?

The dark and the light. The cold and the warm. The now and the not yet. 

The hope and belief that the baby will come, and the honest acknowledgement of the reality that he is not here yet.

But it is more than that. It is the belief that his coming does not happen all at once. That his coming is gradual. That he is still in the process of coming. That his arrival wasn't only in the past, and that it isn't only in the future.
It is ongoing. It is today. It is now.

The last glimmer of daylight fades, and we settle in for a long, cold night.

But there is life in the darkness.

Though all seems still, cold, lifeless, tired, dead....yet there is movement, imperceptible to our near-sighted eyes. While we sleep, the dancing globe will continue its slow and steady twirl. And tomorrow, when we wake again, we will once more greet the light of the sun. The light that has been there all along. The light that even as it leaves us, has already begun its return.

And so we give thanks.

For the light that has been.
For the light that is now.
For the light that is, even now, coming.

Lo, he comes, the long-expected one.

Lo, he is here, Emmanuel.

The one who has been with us.

The one who will be with us.

The one who is being with us.

Lady Mississippi

We have been meeting for several months now, she and I. We have a standing date at 6:45am, Monday through Saturday.

For the first few weeks, there was some semblance of daylight. Then, for a few weeks, we shared the glow of daybreak together. Now we meet in the cover of darkness. At times, I can barely see her, but still I know she is there. 

I have found myself a bit rudderless in these months. I am used to having a landmark to center me. For many years, it was the North Cascades. The outline of their jagged peaks against the glow of the rising sun. And even on cloudy days, when they were not visible, I somehow still felt their presence.

For many years, it was the view of Mt. Spokane. Sometimes green and bald, sometimes white and snow-capped. But again, a steady presence. A landmark to orient myself to. Something constant. Something bigger than me.

It was a sad day when I read that the highest point in Minnesota is 2,300 feet. An even sadder day when I learned that the Black Hills of South Dakota are the tallest point between the Rockies and the Swiss Alps. What would I do without my mountains?

Let me be clear: she is not a replacement. I will always need my mountains. But she has proven to be a faithful companion for this stage in the journey. Our meetings are brief, but each time, I feel my center lower...sometimes by millimeters, sometimes by centimeters. 

She never says much. Of course, neither do I. But somehow in her silent flow, she communicates the truth I most need to hear. And somehow, although she is forever changing, I feel the comfort of her constant presence. I feel the strength in her wide girth. I feel the life in her waves.

And while she will never be a mountain, I like to think that she may meet a few of them along the way as she continues on her journey.

And I'm sure, if I ask her, she'll bring them greetings from me. 

Memory

My dirty feet carry me today

The residue mirroring that which

Remains on my soul

An escape to the north, to the wide open space

To a lake, masquerading as an

Ocean

To a hill, pretending to be a

Mountain

In the desperate freedom of my imagination,

They are both.

My feet find the mud

Plunge into its murky

Depths

Surrender to its squishy

Darkness

They come alive as they leap from rock to rock

Bask in the sunlight, fresh air

Relish in the flow, deep below the surface of the cloudy stream

Here, they are finally at

Home.

Could it be that this is where my soul dwells?

Could it be that it is housed not in my head, or in my chest, but

Here, where my body-clothes grasp the earth,

Here, where my trunk sends down its roots,

Here, where the weight teeters and balances

Here, where the trail is blazed, where the wandering begins

I will leave the dirt lodged between my toes

The mark of my

Baptism

A reminder to my forgetful eyes

That I am not just where I am

Going

That I am also where I have

Been. 

the possibility of sky

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming.

- Frederick Buechner

As I reflect on the passing year, my mind centers on a word that I have been chewing on for quite some time now: gratitude. It has been an intentional practice in my life for a number of years. I keep a gratitude journal and regularly track the blessings, large and small, that fall by the bucketful on my head.

This year, the intensity, intentionality, and even sense of urgency, of my practice deepened, as I began to see the roots of bitterness in the lives of the people around me. I reflected on this, and on the ugly parts of myself that have the potential to harden into bitterness. And I sought an answer to the nagging question: how do I prevent this? How can I remain soft, open, compassionate, joyful towards the people and world around me?  The answer was clear: the best cure, and even preventative measure, for bitterness is gratitude. 

I was sharing this with a friend this fall, and through our conversation, I began to see the patterns in our culture that often feed our bitterness. It is our American practice to ask each other how we are - and unfortunately, it's more of a greeting now, than an intentional question. But we often respond negatively: I'm tired, stressed, overwhelmed, just OK, busy. And as I continued to ponder this, the question arose: how would we change if we replaced this greeting with, what are you thankful for?

So this has become our practice, my friend and I, when we see each other. No meaningless how-are-you's allowed. Only expressions of thankfulness. And over time, our practice has been refined. A few ground rules have been established. The answer must be true, pure - not twinged with sarcasm. How often do we issue a complaint, shrouded in a cloak of thanksgiving? 

But what a beautiful thing it is to fill the well with truth, to dispel the darkness, to starve the bitter roots. How energizing and life-giving it is to be on the lookout for the gifts, to cultivate an awareness for the things that are so often rendered invisible by our preoccupation with productivity. I find myself keeping track of the blessings throughout the day, ready to give an answer when the question comes. I struggle to give just one answer when there is so much to rejoice in!

~~~

A few nights ago, I had a dream.  Well, I'm not sure if you can technically call it a dream. It occurred in the no-man's-land between fully-awake and out-cold. For some inexplicable reason, a memory broke loose from the hidden recesses of my brain and danced its way across my consciousness. And upon further consideration, I now realize that the event it recalled was ten years ago this year.

I was fulfilling my maid of honor duties, attending a bridal shower thrown by the bride's college friends, most of whom I'd never met. One of them, a kind, thoughtful soul, happened to share my name - a rarity for me, especially with someone my own age. Our conversation turned, quite naturally, to the topic of names. She had grown to love exploring their meanings and implications and asked me what I thought of ours. I laughed as I told her about the little name card I'd been given as a child, which identified the meaning as "blessed fragrance." It couldn't be further from the truth. The name is Hebrew in origin, a derivative of the word "mara" - the word for "bitter." Not exactly high on the list of "names you should give your child to bring them health and prosperity." 

She asked if I'd like to hear her take on it, and naturally, I obliged. She began to talk about the most famous Mary, the mother of Jesus. It was a dark time in Jewish history, she said; the people were angry at God, weary of the weight of the Roman oppression, wondering if He would ever break His silence (a silence that lasted 400 years). Why hadn't He sent a savior to them, to lead them to freedom? How long would they have to wait? 

She went on: how beautiful, then, that salvation would come through the womb of a woman named Mary - in the face of their bitterness. So, she smiled, I prefer to think of it, not as 'bitter', but instead as 'conqueror of bitterness.'  Now there's a meaning I can get on board with.

~~~

Who knows what brought that memory to mind as I lay silent in the dark? Who knows what thought or conversation plucked it loose from its place on some forgotten shelf? 

But how beautiful to see the evidence of life, of growth, of hidden streams beneath the frozen surface, of the belief in the possibility of sky, even in the midst of total darkness. Who knew that a seed scattered 10 years ago in a two-minute conversation with a perfect stranger would take root? Who knew that under the dry, crusty, rocky soil, there were forces of life at work? Who knew that this practice of gratitude would sprinkle water and light and nutrients on a long-forgotten seed? Who knew that that seed would wrestle its way to the surface and send a shoot blazing through the cold, hard earth?

~~~

As I write, the snow falls softly outside. I have long been mystified by the fact that we celebrate the new year now, in the middle of winter, when the outside world speaks of nothing but death and cold and darkness. It seems the most illogical time to speak of new life and hope and light. The ground is cold, frozen solid, buried under a foot of snow. Spring seems an impossibility; how could anything survive in this icy darkness? And yet, here we are, turning our faces into the bitter cold, looking forward with expectation, with joy, with gratitude.

praying

It doesn't have to be 

the blue iris, it could be

weeds in a vacant lot, or a few

small stones; just

pay attention, then patch

a few words together and don't try

to make them elaborate, this isn't

a contest but the doorway

into thanks, and a silence in which

another voice may speak.

-Mary Oliver

Artists don't compartmentalize.

I've been mulling on this thought for a few months now, ever since a colleague of mine said it in rehearsal. It came in the context of the students having to do multiple things at once....sing accurate pitches and rhythms, adhere to expression markings, blend with their section, be mindful of their breath, tell the story, etc., etc., etc. Making music in ensemble is an extreme form of multi-tasking.

Artists don't compartmentalize.

As he spoke these words, I felt my eyes well with tears. Yes, he was speaking about that particular moment in rehearsal; he was acknowledging the seeming-impossibility of his request for them to do all these things at once. But, as usual, there was a deeper meaning behind his words.

When I walk on the stage, as much as I would love to leave behind the fears, anxieties, burdens, hurts, stresses of my day, week, month, year, lifetime, the truth is, they follow me on.  So when I am feeling tense, my playing is tense. When I am feeling anxious, my playing is anxious.  When I am feeling broken, my playing is broken.

But I have long held the belief that audiences don't want perfection.  What moves us most is not a masterfully-sculpted phrase or a perfectly-tuned chord.  What moves us most is Truth.  Honesty. Humanity.   And yes, if the phrase is bumpy or the chord is out of tune, we might be a bit distracted from the truth.  But also, I think we forgive the musical shortcomings if the expression is honest.

Artists don't compartmentalize.
And I don't think humans should either.

I love these words of Mary Oliver.  They serve as a reminder to me that I don't need to assume a specific posture to touch the Divine.  There aren't magic words to be said.

The invitation is to come as we are.
Weeds, irises, stones, anxiety, brokenness, humanity....it's all welcome.
The promise is that He will inhabit it all.  Emmanuel.   God with us.

it's a beautiful day in the neighborhood

I just moved to a new neighborhood.

I don’t love moving, and this one was my third move in four years.

But it feels right.

I spent two years living in a city where I felt like a misfit – a fish out of water. I felt like I was suffocating much of the time – and I never really ever felt completely safe. Sure, I found and cultivated sweet community while I was there, but I always felt like a part of myself was dormant, lost. And, while I do not love the labor it takes to leave somewhere, I do not know that I have ever been more glad to leave somewhere in my life.

I spent a year hiding out. In a little nook, with nothing but wild, untamed nature as my companion.  I think I needed a year of detox.  I needed to look out my window and see trees...just trees...no concrete.  I needed to rediscover myself and remember how to let my soul breathe again.  I needed to learn how to listen to the silences.

And now I’m here.

Yesterday I went for a walk, and at one point, I looked to my left and saw a community garden, each raised bed marked with a hand-painted sign identifying the caretaker responsible for tending it.  I looked to my right and saw a woman asleep on her roof.  And somehow, in that moment, I knew this was the neighborhood for me.

This evening, I wandered to the park which is a mere half block from my house. Every Thursday in the summer, there is a concert. And, around 5:55, right on time, people starting coming out of the woodwork, picnic dinners and lawn chairs in tow.

It was a Klezmer band tonight.

And there may or may not have been people dancing in the grass.

They also may or may not have been more than twice my age.

There are moments, when I’m sitting in my sun porch (yes, I have a sun porch), nibbling on chocolate and freshly-picked cherries, sipping a glass of wine…when a part of me misses my nook. Misses looking out the window and seeing trees and nothing else.  Misses the stillness, the energy of the quiet.

But, then there are also moments, when I'm sitting in my sun porch (yep, still have a sun porch), sipping my glass of wine, and I look across the street to see another woman appear on her balcony with her own glass of wine.
And in a moment, I know it’s going to be OK.

There are still silences to be listened to.  There is still space for soul-breathing.  There are still trees, abundant.

And there are people - there is community - to share them with.

here we are

I can’t remember a time when I didn’t know you.

I mean, of course, I can.

I lived 20 years before I met you.   20 full years.

But somehow in your quest to know my story - the days, hours, years - the seasons - I lived before our hearts began their journey together – you have, in fact, in some mysterious way, become part of my whole story – even the parts you weren’t actually present for.

Sometimes I forget how much life we’ve actually lived together.

Sometimes I forget how much you’ve seen me through.

Sometimes I forget how much of me you’ve seen.

It’s true: you have seen me.  

You have seen past my attempts to hide, 
                right straight through my half-answers and avoidance tactics.  
You have seen me through the veil of your tears - you have seen me sitting in a pool of my own - week after week, month after month.
You have seen the passions and longings of my heart,
     and you have echoed them back to me in my seasons of forgetfulness.

You have seen me at my best,
                                            on the mountain top, doing my victory dance.  

You have seen me in the depths,
                                                                in the darkness, in the muck.

And never have you demanded an apology for what you see.

Never have you asked me to be anything I am not.

Not once have you been scared away by my honesty. In fact, you crave it. 
                   I’m pretty sure you have a full-on addiction to truth.

You see fully, and still you ask to know more.

Oh, how you ask.

Oh, how I love how you ask.

The inquisitive kind of questions, born of an insatiable curiousity.

The thumb-tack-on-your-chair kinds of questions.

 Why settle for "how are you" when you can ask "who are you"?

 Why settle for "what do you do" when you can ask "what brings you life"?

The questions that come out of frustration. Why? How long?

How long? 

How long, indeed.

You have taught me to embrace the season,
                                           even if it feels like it will never end.

You have taught me to be present where I am.

You celebrate when it is time to celebrate.

You grieve when it is time to grieve.

And when you have no idea what it is time for, you just keep digging.

It can’t hurt to till the soil, right?

And so we keep on tilling.

We dig our knees into the dirt once more, and with the sun beating down on our backs, we plunge our hands into the soil, and continue the seemingly endless task of sorting out the rocks, breaking up the clumps, one by one.

Sometimes we work in silence.

Sometimes we chatter away.

Sometimes we laugh so hard that we cry.

Sometimes we cry so hard that we laugh.

Sometimes we wonder if it will ever be more than just dirt.
Sometimes it seems impossible to believe that there will be anything
but acres, upon acres of brown.

But, here's to the brown.   Here's to the mud. 
Here's to the hope of green.
Here's to the seeds that will hopefully be planted at some point, and to the sprouts that will maybe, somehow, by some miracle, find their way to the light of day.
Here's to the laughter and the tears.
Here's to the truth that we hold to.     Here's to the truth that holds us.
Here's to living the questions. 
Here's to being seen and known and understood.
Here's to choosing gratitude.
Here's to being together, in all our brokenness.

Here's to being here.               Wherever here is.

the charming gardeners who make our souls blossom

"At the end of the day, people won't remember what you said or did;

they will remember how you made them feel."

- Maya Angelou

I love the rhythm of the seasons.  I love to watch the transformation of the world around me, as the long days become long nights, and the bare branches sprout blossoms once more.  I love that when everything is still and cold and frozen - this is the time we choose to call the "new year."  Of course, in other parts of the world, the new year is ushered in by sunlight and warmth.  But, no matter.  I love that here, in the dead of winter, when all around us is snowy darkness, we turn our face into the icy wind and look forward with expectation into what is to come.

Sometimes I think about how overwhelming life would be if we didn't keep time - if we didn't count the seconds, minutes, hours, days, months, years, decades.  I can hardly fathom what it would mean to have the moments stretch on and on, without any sort of definition.

No, we are created for rhythm.  Of this I am sure.  We need structure - we need definition.  We need to be able to categorize and compartmentalize things.  We need to be able to leave things behind: "2013 was a hard one - I'm glad it's done."  We need to be able to look ahead: "2014 will be better, I can already tell."


In the last few years, it has become my New Year's tradition to pause for a few hours and reflect on the year.  Sometimes I read through my journal (provided it was a good year for journaling).  Sometimes I re-trace the journey month-by-month.  Sometimes, I just sit, mesmerized by the tree lights or the flickering candles, savoring the sweet stillness.   And I am always surprised at how powerful it can be to take the time and space to actively remember.

365 days ago, I was preparing to tackle my final semester at Peabody, having no idea that 12-mos. later, I would have completed my first semester as a music theory professor.

I am amazed at how much can be crammed into a single year....at how much has changed...and at how much is exactly the same.  I think back on what has transpired - the milestone events - large and small - the ones that happened on a stage, the ones that happened in a practice room, and the ones that happened in my living room.  

I stumbled upon this Maya Angelou quote, as I was flipping through my journal this evening. From what I can gather (I am not always the most detailed in my journaling), it was Denyce Graves who quoted it, when I was playing for one of her students' lessons one afternoon. She framed it within the context of singing - within the world of theater....which makes total sense. We don't necessarily remember how an actor moved his hands or even with what inflection he delivered the line - but we will remember being moved. We will remember a line or a phrase cutting straight to the heart.

Yes, there are specific moments I remember from the last year.  There are words, phrases that people have spoken to me in the last 12 months - and I will continue to replay them for years to come.  There are things people have done for me - small things, and ginormous things - that will remained ingrained in my memory.  

But Maya's right.  I remember them because of how they made me feel.

So then I got to thinking...as is prone to happen when wine and chocolate and candlelit lanterns are involved:       How do people make us feel?

Uneasy.

Awkward.

Small.

Fearful.
Weak.

Stupid.

Alone.

Worthless.

Safe.

Loved.

Heard.

Understood.

Seen.

Important.

Peaceful.

Forgiven.

Empowered.

Thankful..

Free.

Needed.

Alive.

We are not responsible for the feelings of others.  We feel what we feel - and we really have no control over that, at least to an extent.  But at the same time, we must also never forget that our words and our actions carry great weight and power.  The people we brush shoulders with every day are precious, extraordinary, fragile.

I always find it fascinating to read the list of "most influential people of the year" (by somebody's standards) and peruse the catalog of people who have passed on in the last year.  Many of them, I've never heard of. Most of them have had little or no direct impact on my life.

Because the people that matter most to me are the people whose faces now find themselves plastered to my frig.  And as I allow my eyes to drift over those precious faces, the feelings come surging back.  I see the eyes of one who sees me. I see the smile and, in my head, hear the laugh of one who makes me come alive.

For the most part, I cannot tell you what it is exactly that they did or said.  But the feelings run deep.  And the feelings remain.

And so, as I close the book on yet another year, I do so with gratitude.  I marvel at the mystery of human interaction.  I am awed by the glimpses of the divine that I see all around me.  I give thanks for the fingerprints - so divinely human - that have left their mark on my heart.  

Photo Credit: Chinwe Edeani  -  www.photosbychinwe.tumblr.com 

of deep breaths and dry-cleaning

It's 6:45pm.

Finally the end of a jam-packed day.

I am exhausted, to say the least.   Worn out from so many hours of being "on" - of being in charge - of people looking to me for leadership - of counting under my breath as I sightread - of mouthing the words to myself and making mental notes of vowels and consonants to correct - of trying to play and listen at the same time, so as to have some sort of constructive feedback to give when all eyes turn to me, as they inevitably will.

I've stayed late to coach 2 more singers, and thankfully, one of them brings some reciprocal energy to give me an added boost to make it in the last hour.

But now I am spent. Ready to go home and crawl in my bed, and feel the heavenly sensation of something softer than the unforgiving wood of a piano bench underneath me.

And then it hits me.

It's Wednesday.

Wednesday.  As in, the day I'm supposed to pick up my dry-cleaning.

Let me pause here to say that it's a miracle I even found the time to TAKE something to the cleaner's - and that when I took it in, I had a voice in the back of my head that said, "It will be Christmas by the time you actually remember that you have something to pick up when you actually have a spare moment to pick it up."

My body protests.  Can't you go to tomorrow?  Nope, I've got coachings until 9pm.  What about Friday?   Nope, headed to Seattle after work, so I'll want to leave as soon as possible so as to hit the pass at a reasonable hour.

It has to be today.  It has to be now.


Suzie is her name.  My dry-cleaner, that is.  She is about my height, and all legs - with a stoop in her shoulder and a long sweater that hangs loosely on her frame.  She is sweeping the floor when I come it, and it takes her a little while to realize that I am standing at the counter.  She's just a wee bit hard of hearing.   I tell (read: "yell") her my name, as her eyes peer up at me over the rims of her glasses.  I spell it 3 more times, and finally, she gets it. She jots down the number and shuffles into the corner.  After a minute or two of searching, she's found my dress.  As she puts it on the rack next to me, she makes sure to remind me to be careful when carrying it. The plastic bag is just about as tall as I am, and she doesn't want me to catch my foot on it and slip.

I wait as she tinkers with the cash register, trying to process my credit card.  It takes her a few tries, but finally, the receipt prints, and she holds it down as I sign it.  As I hand it back to her, she smiles, and with all the sincerity her sweet, gangly self can muster up, she says, "Now you have a lovely evening."

As far as location goes, Suzie's shop is convenient. It's not too terribly far out of my way on my drive home from work.   As far as cost and efficiency go, it's probably not the most competitive.  Meaning, I'm paying more for my dry-cleaning than I ever have in my life.

In fact, the thought of going elsewhere has crossed my mind more than once.


But as I stand there, watching Suzie shuffle around, digging through racks and racks of clothing, I realize that after a day of going, going, going, I am being forced to stop.  Slow my hurried pace.  Just...be.  Breathe.

Sometimes, it takes a full day of rest for me to really breathe deeply.
Sometimes, it takes a morning hike in the wilderness.
Sometimes, it takes an afternoon curled up with my journal by the fire.

And sometimes, it takes 5 minutes in a dry-cleaning shop.

Sometimes it's scary to stop.
Sometimes we're afraid that the load we've been carting around (you know, the one we're in a wee bit of denial about) will slam into us from behind.
Sometimes we're worried that if we don't hurry along, we'll fall behind.

The world around us prizes convenience and efficiency.   The world around us glorifies busy-ness.  The world around us says, "you are what you do."

But as I stand in that little shop at 7:00 on a Wednesday evening, the voice (of truth) inside of me says, "You have a more than a few things to learn from this woman."   
She's not in a hurry, and she assumes you aren't either.

There is time.

There is time to have a real conversation.

There is time to take care with your work. 

There is time for deep breaths. 

There is time for simple kindness.

There is time to look another in the eyes and exchange mercy.

                                         Photo Credit: Chinwe Edeani  www.photosbychinwe.tumblr.com

bertha, wilfred, and a cup of strong black coffee

7:00 AM.  I roll into the music building parking lot (lucky for me, there is no competition for parking spots at this early hour).  I unload my three bags (one for my lunch, one for my teaching materials, and one for my 6 binders of music) and trudge into the building.  There is a bit of fumbling and muttering as I attempt...for the 40th time...to remember which of the 9 keys on my ring opens the recital hall door.  Lights on.  Piano cover off. Lid up.  Good morning to Big Bertha (our 9-ft concert grand).  Bench adjusted.  Metronome and pencil ready.  Binders unloaded.   Coffee cup within an arm's reach.

Ready.

Set.

Play.

I begin with choir music.  I am playing for 2 choirs this year, at two different universities.  Most of their music will be sung a cappella - but there are a couple of pieces with some hefty piano solos.  I work them slowly, at first, saying fingerings aloud to myself, isolating one hand at a time, listening and repeating until the voicing is just right.  I make the same mistake three times in a row.  The coffee must not be kicking in yet.  I pause to take another swig.

By 8 AM, I have moved on to my four (soon-to-be five) binders of solo music for my 75 singers. I start with the music I will be playing in lessons tomorrow and flip through the binder, making a mental note of which ones I need to look at more in depth.  Played that one.  Sightreadable. Sightreadable.  Played that one.  Played that one in a different key - probably should go through it once.   Sightreadable.  Played that one.  Oh, new one.

Out comes the metronome (Wilfred Jr.).  I find a ridiculously slow speed and have a go at it, pausing every now and then to mark fingerings or add accidentals.  I trod along, attempting to sing the vocal line as I work through my own part.  It's slow going, but I'm in no rush.  

This is my time.

This is my home.

This is my sanctuary.

The first few weeks of school were crazy.  I stayed afloat, and managed to arrive at each class, lesson and rehearsal at least mostly-prepared.   But I knew I was floating.  I knew I wasn't fully present, fully grounded. And it took me a few weeks to discern what the real root of my unsettledness was:

I have not worked hard enough to guard this time, this sacred space.  

A few more minutes in my bed...and 7:00 becomes 7:30, and 7:30, 8:00. Lesson planning and photocopying that should have been done the day before is put off until the hour before my first class....and 10:00 becomes 9:30, and 9:30, 9:00. Before I know it, 3 hours has become 1 hour...or has even disappeared completely.

But this time is precious, necessary.  My body relaxes as my fingers find their way across the familiar black and white terrain.  My mind is drawn into focus as I tune out the to-do list for the remainder of the day - and I work to concentrate all my energy on this moment, this song, this chord. My soul sighs as I soak in the energy of the empty hall, inhaling the quiet, exhaling each phrase.

10:00 AM.  Binders, pencil and metronome returned to their homes.  Lid down.  Piano cover on.  Lights off.  I emerge from my solitude and head upstairs to prep for my 10:25 class.  I haven't even made it to the office, before I am stopped by a student with a question on the homework assignment.  Reality sets in, the chaos ensues, and I begin my day of multi-tasking.

But my center is lower than it was when I first fumbled for my keys this morning.  I can feel my feet on the ground.  I'm breathing a little more slowly and deeply, and my shoulders are a bit more relaxed.  I memorize the sensation, in an attempt to prolong it and perhaps even make it permanent.

Wishful thinking?  Probably.  I know the tension will creep back in.  I know my center will begin to rise, as the day progresses.  And at some point, I will most likely realize that my feet are no longer touching the ground.

But tomorrow at 7:00 AM, I will start afresh.  And after I have tried, for the 41st time, to remember which key opens the door, I will step, once more, into that sacred space.

For three hours, I will have the luxury of focusing on just one thing.

For three hours, I will breathe, lower my center, release the tension in my shoulders and the song in my heart.

For three hours, it will be me and Bertha and Wilfred and my coffee mug.

Photo Credit: Chinwe Edeani  www.photosbychinwe.tumblr.com

let evening come

It's my favorite time of day.  Or, my new favorite, I should say.  I will never abandon my undying love for early mornings, but living in a westward-facing home has brought with it a new appreciation for the dusky, twilit world.

The work is done...or at least laid aside until tomorrow.  The dishes are dripping their way to being dry.  The sun is bidding his final farewell as he peeks out from behind the ridge. My wineglass grows more illumined by the second as the candlelit lantern sends its flickers across the table.  My feet are up.  My hands are overflowing with fresh grapes from my garden. And Puzzle, the cross-eyed cat (yes, it's true), has come to say 'good evening'.

I spent yesterday evening in this same spot, catching up with a friend by lantern light after a 6-year hiatus (actually, probably really more like 10) from each others' lives. We reflected our individual journeys, as we recounted what has brought us to this point in time.  And here we are.  In the same city.  In similar seasons of life.

She commented on the way I didn't hide the messiness or the tension as I recounted my story of the last few years.  "That's life," she said, "We want it to fit nicely in boxes, but it doesn't."  We want there to be airtight solutions to the problems and easy answers to our nagging questions.  And it would be nice if it was all wrapped up with a beautiful bow on top.  but that's not life.


And maybe this is why I am coming to love evenings.


The mornings are full of pent-up potential.  There is room for hope, possibility, fresh starts.  I love the unknown.  The anticipation.  The energy of the stillness.  When I look at the day through my morning eyes, I am filled with gratitude.

I've never really liked evenings.  I have always associated them with weariness, heaviness, the weight of the day's work and failures.  The unknown is now known.  The morning's stillness has been replaced by a cacophony of voices. The din has undone me.  When I look at the day through my evening eyes, I am quick to see the negative - it is all-to-easy to latch on to the faults and failures.

But, the longer I sit, the more I force myself to pause and remember, the more I start see the beauty of the day.  A word of affirmation.  A shared moment of laughter.  A surprising turn of events.  An unexpected gift.


Over the years, as I have explored the idea of "Sabbath" - I have come to love the idea of the Sabbath beginning at sundown.  I love that it begins with rest. I love that it begins with what is, by American standards, the most unproductive thing we can do.  I love that surrender to the darkness and the stillness serves as the link between days.   I love that even in the hours that hold such terror and dread for so many - the moments when we are left defenseless and vulnerable - this - even this - is the time to begin anew.

And so, I say, let evening come.  Let it come and bring with it an awareness of our failures and shortcomings. Let it come and bring with it the weariness and weight of the day.  Let it come and bring with it the recollections of quiet moments of beauty in the chaos.  Let it come, and let us embrace it.  Let it come, and let us yield to the darkness, to the stillness.  Let it come, and let us lean into the grace that holds us.

Let it come, as it will, and don't

be afraid. God does not leave us

comfortless, so let evening come.

 - Jane Kenyon

Photo Credit:  Chinwe Edeani

it is what it is

I hate blank walls.

Always have, always will.

So it should come as no surprise that one of the first things I do when I move to a new place, even before all the boxes are unpacked, is start laying out picture collages on the floor.

My father, ever the photo journalist, captured one such humidity-and-exhaustion-soaked moment 2 years ago this week as I settled in Baltimore.

I love this part of the process.  It centers me and settles me, to acquaint myself with my new floor, surrounded by old friends, familiar faces that have followed me on my journey.  After the craziness of moving, my little introvert self is thankful for the chance to absorb the quiet, to reflect, to remember, to fit the pieces of the puzzle together, to make this new place my own.

But as I finally had the "aha" moment and found the perfect place for one little piece of artwork this evening (it has been sitting, homeless, on my desk for weeks), I realize that I have also come to love the change. The paintings and posters and picture frames that call my walls home have found their way to a plethora of different walls over the years - and have hung side-by-side a vast array of different objects.  And though they have remained unchanged over the years, they look different each time I put them up. The light hits them from a new angle. The walls behind them highlight their vibrant colors in a new way. The pieces they are now paired with bring out parts of them I'd never noticed before. 

I love how there is change in the constancy.  I love how you can look at something a million times and not really see it until you look at it that million-and-first time.  I love how everything eventually finds its place - sometimes where we least expect it to.

And isn't this true in life in general?  We bring the same set of strengths and weaknesses to each table we encounter - the same personality quirks - the same set of baggage.   The older I get and the further I travel, the more I am dismayed to find out that I am the same person wherever I wander.  Somehow, even though I attempt to leave it behind, my storage unit full of complexities and idiosyncrasies and selfishness and fears finds its way into each new town I call my home.

But there's hope. There are fresh starts.  There are new circumstances and new relationships and new walls to decorate.  The light falls differently and offers a new perspective.  Weaknesses become strengths.  Fears become motivators.  Shadows are chased away by sunbeams.  They are not bound by their former identities. They have been redefined in the present.  And sure, we cannot change the past or its long-lasting effects on us. And we lean, depend, feed on our hope for the future.  But the fact of the matter remains: we only have this moment.  We only have the present.

In the year before I left for Baltimore, my dear soul sister and I would, at times (OK, often), find ourselves overwhelmed by life.  There were days when we gave up on words and just laughed.  And there were days when we gave up on words and just cried.  And amidst fits of giggles and streams of tears, our mantra became, "It is what it is."  And for us, at the time, I think it meant "I'll take the hand I'm dealt; it's out of my control anyway." "I will accept this reality and trust that it's not forever."

Shortly before I left for graduate school, I found a little wooden sign that said just that: "it is what it is."  So off it went with me to Baltimore. And every morning, as I brushed my teeth, I pondered it.  For two years, I pondered....and also I cried and I laughed (a bit more of the former than the latter).  And for those two years it took on a new meaning: "It is what it is, so I will choose gratitude."

Today that sign has found a new resting place on the shelf beside my dining room table, to the right of my mug collection, just below my produce basket full of Walla Walla sweet onions, to the left of two pictures of my soul sisters.  Today, it reminds me of the tears and the laughter, of the fight to stay grateful.  And today it takes on a new meaning: "it isn't what it was."

a fresh start

It’s been two years since I started a blog. It was my intent to use it to describe my journey eastward, as the title would suggest (Mary Goes to Maryland). I wanted to be able to share my experiences in graduate school with friends at home – the people who had helped to get me there.

And in the process, I came to a deeper realization of something I already knew: I love to write. I have been a faithful journaler since at least jr. high, if not before. There is something so centering about putting pen to paper. Somehow, as I scrawl out my jumble of thoughts in the form of sentences and paragraphs, I begin to make sense of them. And in recent years, while I have learned to process verbally (with the help with some very wonderful and extremely verbal roommates - and you know who you are...), my introverted soul still finds sweet solace in the lined, spiral-bound pages of my journal.

These last 2 years have brought me a newfound joy in getting to share my writing with others. There is something beautifully freeing about taking a thought - a small part of my heart...condensing it, refining it - finding the exact combination of words to express it....and then releasing it - sending it off into this mysterious web of a world. 

But the fact of the matter is: I am no longer in Maryland.

Hence, the new blog.

I spent yesterday afternoon trying to come up with a title, as I sat on my patio, looking out at acres and acres of fir trees. There are many phrases I could use to describe this season of my life, the state my heart is in, my hopes for the future.

After awhile, I gave up and went about the rest of my evening, busying myself with other things. I did the dishes. Continued with the seemingly-endless task of unpacking and settling. Attempted to take pictures of myself so I can renew my passport (if someone had only videoed the entire process…you would have had a great many laughs).

It wasn’t until I poured myself a glass of wine and sat to watch the sunset that it came to me (as things are prone to do when there is wine involved…and a sunset, for that matter).

cultivating the invisible.

It’s a phrase I have come back to time and time again in the 5+ years it has percolated in me. It stems from a book that continues to change my life, “Reaching for the Invisible God” by Philip Yancey. The original quote reads this way:

“The visible world forces itself on me without invitation;
I must consciously cultivate the invisible.”

It is a principle by which I attempt to live. And it works itself out in a myriad of ways: in my commitment to taking a Sabbath – to laying the work aside and resting. In my choice to pursue music – to express the things that are beyond words. In my desire to prioritize relationships - to seek out the divine spark that only comes in human interaction.

I don’t pretend to have mastered this skill of conscious cultivation. But in a world where we are constantly in a state of sensory overload, bombarded by advertisements, technology, the temptation for more, I have found myself growing ever hungrier for the things that cannot be seen. There is beauty to be found in the stillness, in the small and ordinary, in the crooks and crannies few bother to give a second glance to. And I, for one, don't want to miss it.

So, here's to a new season.   Here's to whatever surprises it may bring.     Here's to a new blog (and whatever shape it decides to take).     Here's to the intangible, the immeasurable, the invisible.